A still from Rafael Aflalo Rodes’ “Billy and Charley” — a silhouette of a face made from gold chains in a black background that appears to be speaking.

A still from Raffaele Gabrielli‘s “The Red Pen” — two animated pink hands in a black background

A still from Will McCaskill‘s “Sardine” — a man looking through the window with binoculars at a stranger who is looking at him

A still from Yanming Yang‘s “How to Become a Panda” — an animated panda and a man fighting over the possession of a red book in a claustrophobic space in a black background

A still from Laurie Barraclough‘s “Hey, Ma” — a woman walking down the parking lot with her grocery sacks

A still from Parveen Ali‘s “A Home” — a cat sleeping on a windowsill, with a word “home” written in Arabic in the left corner

A still from Karolina Gliniewicz‘s “I Showed Him COVID-19” — colourful abstract images generated by artificial intelligence, resembling microorganisms

A still from Natalia Bednarova‘s “Angus The Humanoid Frog” — a green heart in a black background

A still from Soham Kundu’s “Stay Maybe? We Think We Made a Film” — two people waiting for a train in the underground, as another train passes

A still from Georgia Bardi‘s “Matti‘s Story” — a line drawing of a boy looking through the window of a bus

A still from Yige Yang‘s “Blinded by Love” — a black and white animated image of a man with an umbrella, watering a pink plant during rain